for this 2nd release,we give you the opportunity to grab 5 fantastic trax done by nicholas, new incarnation as soul systemthe brains behind the no more hits imprint is back with one of his biggest 12inch to date ! the ep opens with never gonna be the same,an exquisitely produced track, full of depth,its a melting pot full of sultry vocals,soulful disco samples and an irresistible groove on a2, we get the wonderfull & lushy keep on giving,it sounds to us like a 90s lost deep house classic workout with crisp kicks and pulsing synths & bass.and then on a3 soul beats is an old shool 90s house nugget too that result in guaranteed dancefloor mayhem! b1 comes up with one of the best track hes ever done to us (theme from) soul system, think proto - techno, man parrish, it sounds like an hybrid between hip – hop & electro, killer!and to end on b2, we are again back in the 90s. >everything must change< moves the body on a deeper level with chugging some solid house grooves & some syncopated beats. for anyone who likes deep,analogue synth heavy groove, moodymann, theo parrish, mcde... this ep is clearly for you.

highly recommended! marieu comes back with an amazing solo e.p. on his own label enlightened wax after the worldwide success of his first work, heavily played by the most appreciated underground djs. as usual, this record has been written, mixed and produced only on dusty machines and recorded on juicy magnetic tape. the opening track, >ancient times< is a capturnig fat deep house track with a subtle female chant and space-station pads a2, >heat eninges< is build on an heavy ground shaking bass, a wagging latin piano riff. big claps, and sharp cymbals. funky and relentless, its just an essential choice for every swingin dj. on side b,>radiant< develops on a solid bass drum a filtered house groove making a breach to a charming jazzy piano and a blues voice. a complete feeding for every hungry dancefloor b2, >spectrum<begins with a dark hypnotizing groove enlightened in the middle of the track by an uplifting motorcity pad. striking and suggestive.

on brothers in loves first release, max k. gets right down to business introducing himself and this family project: booming kick drums, thumping toms side by side with sharp hi-hats and staccato claps. machine grooves with sounds as raw as the musical approach of the artist. >losing your cool< builds on a massive kick drum, with a tom groove shuffling the track. it develops into a late summer bloom, which is over as fast as this years berlin summer was – with piercing percussion to remind you that winter is already here! >overdrive<, the first track on the flip, starts as a heavy slow groover with thumping kick, crashing snare and acidic synth lines until a punishing hook enters knocking you upside the head. the second track on the b-side, >indulgence< comes disguised as a stepper with a raw, pulsating analog bass line, but reaches its apex with a whirling synth lead on top of a vocal that could never be classified as your ordinary preachapella.

electronic wunderkind al tourettes reaffirms his position at the sharp edge of the development of technological bass music in the uk. these three tracks are artful hybrids, merging the subtle complexities of electronica with the musclebound power of als bass-heavy electronic heritage. datasette steps up to the plate in reflective, melodic fashion to finish this strange and beautiful ep with a fittingly wrong-footed last word

heavy chicago influenced four-tracker by the other half of morphology (his debut release under nakoradiomies alias).

the tracks blend the best of booth producers, rachmads detroit influence shaped with lauxs dynamic style. the title track viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the german, dutch and detroit mix. a dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. carlos is a track that bounces with groove. morse-like rhythmic bleeps carry the track cementing the individuality that is created in the ep. awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the ep into an eerie conclusion.

together with internationally-acclaimed reggae artist, jahdan blakkamoore and established stateside lyrical beasts, armanni reign & diggadee mc - trigon & dave gee push the envelope, delivering a massive cross-over dubstep/grime influenced riddim with hip-hop appeal. dirty synths,banging 808 bass and pure nasty bars from these heavy-weight mcs all blend together seamlessly, proving this to be a powerhouse combination and nothing but pure murda!kicking off the remix duties, the man behind the original virus syndicate sound, mrk1, jumps in with an explosive rework, combining the original vocals with an infectious melody, bone-shaking basslines and heavy-rolling drums, and turning it into a head-crushing dancefloor banger.

new kanada welcomes the mole back into the fold with a heavy image two-tracker from deep in the forest. the slo-mo a-side “dog river” is heavy and raw and dripping with calcified disco echoes. tweaking distant bass, tugging percussion and psyched vocal loops. a serious main-floor builder. on the b-side, colin gets tougher and darker and crafts a potential blackout bomb. grinding pads mix with a morphing bassline to form a dubbed out late-night track - made for the mix.

repress of ultra rare detroit electro record, including remixes by peanut butter wolf, maxmillion dunbar, steve summers and legowelt. heavy!
originally recorded in detroit, 1982 by the late danan potts a.k.a. superlife. at that time danan was hanging around the recording institute of detroit where juan atkins was training in production. danan was interested in atkins style of dance music and quickly recorded >go bananas<. bananas was released locally on southern sun records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time.

the >spectrum riff< ep comes from moscow based beat maker and full time firefighter alexander goryachev, otherwise known as 813. five original tracks bursting with juicy synth lines, retro drum machines and waves of thick sub bass, culminating in a sound that is one part boogie, one part hip hop, one part electro and three parts forward thinking bass music. slugabed (ninja tune) appears on remix duty with a drum heavy workout full of shuffling percussion, deep basslines and strong melodies. 813 has been operating in the much talked about russian beat scene for a couple of years, appearing on error broadcasts >fly russia< compilation and kicking off the rad collective label with the >back in space jungle< ep. he has another ep on rad dropping this year along with other projects and collaborations in the pipeline. as a live act he has supported moby, doom and hudson mohawke. the spectrum riff ep has been a long time in the making, its been worth the wait.

the next release coming out of the roska camp is this smart vinyl-only followup to the roska allstars release. this second instalment brings more of the same versatile movements from some fantastic producers currently leading the way for upfront danceable material. main man roska signs up terror danjah to pull of a smart remix of his track >without it<. its somewhat of a guilty pleasure hearing both artists signature idents in one song, terror with his evil gremlin laugh and roska with his ubiquitous shout out! however its all about the arrangement here as terror reforms those original trumpet sounds and adds some heavy distorted bass. j:kenzo serves up >let it move< which is all out pure electro style with punchy drums and dirty synths, again lending to the surprising nature of this labels output. tickles completes the vinyl only package with >da growler<. drums are tougher than iron and bass harder than rock as tickles blends funky, dubstep and house into his own dance-floor destructive mould. all three records show a different side to the current uk bass and funky scene, yet they somehow could only belong on kicks & snares. a fine package for a burgeoning label.

excellent 4 track vinyl with fantastic deep house. it gets started with >spring loop<, a track that looks to its name both for feeling and production sense. of course that sensuous vocal sample that gets drawn through it wouldnt do the job on its own, but rau knows that too and surrounds it with a warm, humid bassline and his always changing and snapping drums to keep it in the pocket for the whole 5 minutes. even though the groove on the a1 is already heavy for him, he goes deeper yet with >swearing (vinyl version)< that jamaican vocal is something so classic that we wont spoil it here, but the pumping house beat and piano stabs he winds around it give even more poignancy to the lyrical substance… we are pretty sure that by the time he finally echoes the vocal out late in the track there will be some hands in the air for this one

funky and bass-heavy uk garage / breakbeat 4-tracker from the incredible peter riley aka persian.

limited edition of 500 heavy weight 180g 12 inch vinyl.
landing as the second release from the new french label clekclekboom recordings, young newroller coni drops us sensitive, deep but yet powerful tracks with sensual rnb reworks that would make any female moan. combining groovy sophisticated house and naughty/soulful bass on the lead track >luz in pool<, the parisian takes us to a delightful journey where you will be losing yourself. on the flipside, >suma< is mixing up an uplfiting 90s rnb vocal with a very effective uk funky drum line. the laid back g-swagger >crush< favoring a modern half-tempo 808 rhythm with a sweet subtle voice adding to a haunting purple synth coloration. this 3 track ep is full of heaviness and is already listed as favorite by many established big names. this number is not to be missed!

nice price deal !!! two heavy weight tunes, smashers on the dance floor from ray keith.

mensah demonstrates exactly how to smash a big arena event with the harder edge of >your gf likes it ruff<. on the flip delta heavy turn >quad bikes< in to a signature half-time dnb monster!

a one-off release from james and karl here showcasing chunks of their killer live set from a recent london gig. the a-side is basically a brilliantly executed and bass heavy mashup of ruskins classic track work alongside the much loved blunted rhythms of kalons man is the superior animal.in contrast the b-side is a great intro/outro beatless tool.

frucht - only deals with fresh fruits. now the berlin based collective comes up with 4 fresh >best-of-remixes< including well-known techno artists of their closer family. labelhead coeter one and his partner splatter present a smart and straight minimal-heavy-weight. the a-side begins with pure minimal power and ends in complex structures for the floor. on the >fruit side< you can find 2 more clubbombs that show the typical mad sound of frucht. keep an eye on this network of succesful talents!

tough new moves from newcomer boner m on the much loved dont outletalso features sought after subhead track on vinyl for the 1st time techno as it was in the 90s and early 2000s is hard to come across these days.gone are the killer intense riffs and hard beats that did the damage on dance floors the world over.well as usual,sidestepping the current fashions and delivering nothing but great quality off the wall techno music,dont recordings returns to smack the ball right out of the park with a brand new heavy techno 2 tracker cut extra loud for your pleasure.maverick techno legend subhead steps up and delivers intense rave-o-gedden of epic proportions. this ones been doing serious damage via cd and via the with vocals version on tunebox records for the last 2 years and has been the most asked about track of both subhead and label boss jerome hills sets during this time, with constant requests from djs to make it available.on the b-side dont brings you the debut release from a formidable new talent boner m whose track zoidar melds hard techno and disco together with distinct ease, but the results are far from what youd expect of these two genres colliding.less daft punk and more in your face overloaded bass funk. look out for more from this guy in the future.support techno before it becomes extinct!

kowton and tom dicicco, residing in bristol and manchester respectively, make very different music from one another. kowtons seems to come from house, perhaps also electro and garage, often quite slow in tempo and hard to pin down to a specific genre. toms music is techno, bass heavy, melodic, textured and rooted around 125 bpm. with these distinctive styles the idea of a split ep might seem ambitious, but the result is four cohesive but different tracks that show the talents of both artists perfectly in the format of two originals on one side and two remixes of each others originals on the other. tom diciccos original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. kowtons is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. on the other side of the record, kowtons remix of toms original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. toms remix of kowton rounds off the ep with a return to stab driven techno, pulsating, dynamic and trance inducing.

great mark e mixes of a new track by brazilian fusion/ jazz deities azymuth. side a is the west-midlands dj producer mark e’s full length mix that stretches out over 10 and a half gloriously produced chill-wave minutes. mark e brings this natural progression mix to late-night dance floor life drawing upon his wide-ranging influences – rave, early chicago house, industrial house & disco – to produce his quintessential steady-beat rolling loops. the free groove of azymuth combines perfectly with the steady-beat darkness of its re-creator as the hypnotic synths layer upon heavy percussive beats & interspersing breathless mengo vocals. side b is for the clubs, the djs and the heads. two mixes that bring the beats to the fore as the pounding bass surges faster and harder on these dub and beat journeys. limited to 500 copies!

killer follow up from warm sounds - the raw interpreter lives up to his name and delivers 4 cuts of raw analogue power. vinyl only, of course.

housemeister is back with his big new single >weird friends<! with us-indie-rapper p.o.s spittin the truth on the mic and housis signature heavy beats, this one is a no brainer. the acid-guitar line weaving its way into your brain and huge drum fills keeping things interesting, this effort is sure to stand out in any set! >weird friends< remixes from so hot twr72 who deliver a solid tech-dub, obi blanche who adds a funky live bass ala cypress hill meets smith n hack and our favourite brazilians mixhell deliver a tropical disco-rave mix with epic drumfills by hero iggor cavalera. finally and not to forget on this weird single release >hirschkeule<, the original version taken from housemeisters new album >music is awesome< - out now!

after a short break aaron jays influence records is back with another top draw 12 from none other then liquid master random movement. having released an album on markys innerground label last year, random movement was keen to drop a 12 inch on influence and what a 12 it is. both sides are dance floor killers, both on heavy rotation at fabric and have been supported by the likes of spy, fabio, lynx, grooverider & bailey.

the original horsemen concept was initially conceived by 4 minds coming together through one unifying vision. those minds were of: ink, loxy, keaton and dylan. carving out their own unique take on drum & bass. fusing together specific elements that would form the fundamental cornerstones of the horsemen sound: raw original sampled breaks, heavy sub bass and dub elements. this style and concept has since seeped into the consciousness of a new wave of producers across the globe and has influenced and evolved into the sonics presented here on this album. ink and loxy in conjunction with renegade hardware are proud to present: horsementality...
dj support: ink, loxy, cern, marky, alix perez, spy, btk, optiv, sabre, bailey (1xtra) , flight (rinse fm) + many more.

matt star returns to mainrecords. together with his brother locke and labelboss of mainrecords, he produced two melodic technobombs, which are predestined for the big floors.but thats not all. the maintrack >gaucho< gets an heavy remix by no one less then petar dundov in his typical hypnotic melodic style. we are very pleased to hear how mainrecords developed their style this year.

uncanny the label that took everyone by surprise comes with more goodness! the third artist-ep by dresden-based label comes from house- and hip hop-mastermind cuthead and is nothing less than a proper power package. with vibratin things start off as deep as the bottom of the sea. underneath cutheads dense drums there is an intense and meditating synth line which is eventually complimented by an acid figure as if it was an evil twin. brother rolls in with a mighty kick drum, before a catchy sample and not less catchy piano motives prepare for a propitiating end. with transgressions and its bass line for the bigger floors things get down to house business once again. the remaining two tracks then give an impression of what happens, if cuthead takes to the mpc for his liveset. in seram lembah und heartless cuthead combines his drumming with south east asian disco-mantras und bittersweet blues chants to heavy hip-hop-grooves. loving it!

*** limited vinyl copies*** comprised of former members of hercules and love affair, new york citys jessica 6 has been commanding dance floors for years, globetrotting from london to miami, san francisco to santiago, bergen to belgrade, seducing the dancing, sweaty masses with an electrifying blend of disco, soul and r&b.
see the light opens with a classic-in-waiting, the behemoth of a single, >white horse<, that forces you to move like a witch doctor would. >champagne bubbles< is the kind of gritty r&b that isnt afraid to be as angry as it is melancholic, its piano flourishes punctuated with a heavy kick and snare. >prisoner of love<, which bridges electro and freestyle, featuring a soaring vocal melody that finds nomi and guest vocalist antony weaving their voices around each other to a stunning effect.

approaching the end of the year, pole presents another spacey and heavy bass 12 inch. two melancholic, quiet tracks full of crackles and endless space, made for this winter. it seems that the warmth of these two tracks is glancing around a corner of a cold urban wall, just to say:s-o-o-n, and it will be summer again.in contrast to the first 12 inch waldgeschichten, with its use of full chords, this new production is marked by its use of spaces, which seems to expand until they collapse and enfold the listener. this is the second 12 inch by pole, one of a new series of releases which will end in a cd release in 2012.

after the huge succes of its tenth release (davide squillace & guti), hideout is back with with the third slice of the deconstruction revisited series. this time, crocodile tears, which appeared on davide squillaces tutti frutti ep (ho003) got offered three amazing relectures. it all starts with mr robert dietz (cadenza, cecille ...), who delivers a super modern and energetic relecture, where intelligent synthetic percussions mess around with weird noises and processed effects. after two minutes a monophonic synths starts its battle with vocals from squillaces original to end up on a more minimal groove. gflame aka portugese techno start cisco ferreiras (the advent) relecture directly sets the tone: a nasty bassline with a crazy synth stab flies over a soft but very heavy techno beat, to evolve to an elegant tech house track (no bongos involved). finally sis, the man behind cocolino imprint, reinterpretation starts with a long intro with the kick dropping after more than 3 minutes. the melancholic feeling of the track builds into a very subtile beat with reverbered elements all over. the percussion layers and delicate melodic synths add some organic flavour to the music so the 14 minutes remix is never boring and takes you to a nice journey thru sounds. you can tell somebody was in love when making such a beautiful song. another must have from hideout!

a - side: i aint hiding (heavy disco edit)
ashley gets low down and dirty with the southern rock giants the black crowes. their >i aint hiding< track was a real marmite moment for their fans. ashley (being a fan) turns the stonesy disco rock track (think miss you) inside out to create a psychedelic dancefloor wig out. already a big fave with the horse meat disco crew this has been one of mr beedles most requested edits/reworks over the last couple of years and he has decided to let this one out the vaults. its a monster.

greek producer and electronic music activist echonomist has been releasing distinctive and quality house music for years now, on esteemed labels frances time has changed or his own co-run vip label. an infectious blend of deep house fused with techy modern production has landed the up and coming producer on steve bugs dessous imprint with this, his debut ep for the label, featuring the vocal talents of berlin based upstart mz. sunday luv. lead track >real love< comes in various forms, the original being a vintage styled classic house jam, infused with sundays truthful treatise about love in all its forms. echonomists solid beats, chicago bassline and dramatic snare rolls make this a real showstopper. the track is then revisited in a more east coast slow jam style, full of lovingly produced details and warm summertime synth goodness. flemish talent san soda reworks >real love< into a real late night burner, bringing in a more european electronic vibe with heavy bass and climbing dramatic synths. perfect for the floor and the heavier moments, it complements the originals more old school aesthetics perfectly.

red marbled vinyl only at decks.de!solomon s remix is already rated one of his best to date and perfectly refletcs his flair for the sub-heavy downtempo funk and club-feel. expect the cool underground clubs to have the solomun remixes running for the entire summer season 2011.

a return to vr from ben sun, who delves into deeper territory on the original cut, emotive analogue synths washing over a roland drum groove and a swirling female vocal, all underpinned by a warm, rumbling bassline. the flipside features some heavyweight remix work from the prolific deep space orchestra (use of weapons, art, delusions of grandeur) and label mate tyson ballard teaming up with vincenzo (poker flat, dessous). vincenzo and ballards mix is a heavy hitting, moody take on the original, with subtle, dark strings and a growling, evolving bassline, while dso round off the release with trademark fat drums and soaring melodic synth work.

hailing from new zealand, truth and decoda have established themselves as true heavyweights of the dubstep scene. following releases on several high profile labels, and their hit album >puppets< truth lay it down for wheel & deal.
truth & decoda – the emperor: emperor is the heavy hitting, distorted reese tearout monster with a dramatic intro of horror film proportions. this follows the dark jump up vibe of wheel & deal, and will smash up any dance.
truth & dutty ranks – calling you back: this is a upbeat style track, reminiscent of the older dubstep sound. with a tribal skank and haunted garage style vocal, this is soulful but sub heavy in its own right.
these have had support from n-type, walsh, hatcha, and mistajam to name but a few.

canadian producer kalden bess makes his debut for analytic trail this summer with the alice in panorama ep - a three track release which focuses on dark, heavy grooves.

romulo del castillo and joshua kay are phoenecia and they emerge from their long march into the aural wilderness of miami with good man bones ep, five new sonic tapestries heavy with rhythm and rich in visual detail. screen print colors with hot green/brown vinyl. this mini lp serves up an offering of selections from the full-length demissions - both made available through a unique collaboration between detroit underground and schematic. limited press.

dc shows with his full 12 inch debut an outstanding spectrum of his talent.
side a contains deep and heavy bass sounds paired with an itching synthline. to say it in a few words, turn your speakers on and get ready to freak out. >vertical output< is definitely the uptempo cracker on this record!
side b comes with some different styles. >yorktown recreation< and >chocolate milk< are pure delight! microkorg extravaganza up to the sky, confused funk chords backed by insane jazz lines. these two bangers are arranged in the typical dorian concept manner and give a pretty good insight of his sound universe.

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

pete herbert & dicky trisco return with two more crowd pleasing and floor filling disco reworks for the disco deviance imprint. >jump on the floor< will have disco dancers punching the air and begging for more. while on the flip, >do the night thang< is heavy slice of disco funk that will tease and work the dance floor to the max. lovingly edited and sonically enhanced for maximum dance floor pressure. enjoy the music!

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

raz ohara brings his unique style to kindisch, in the form of the >see it coming< ep. raz holds true to his style of layering ghostly vocals with haunting melodies coupled with ambient percussive elements. we begin the ep with its title track >see it coming<, a colorful blend of melancholic tones on a chilled canvas of percussion. as a perpetual melody drives, delicately laid vocals narrate the journey to the subconscious. next up we get >deeper<, as raz brings out the bass on this one. dissonance and vocal chops harmonize over a heavy kick

from the depts of basque county kastil (mario castillo) is back with bomb ep. after a few releases in the more disco sounding side of music, he is now entering his comfort zone in a sample heavy deep house release which is (although its house music) an ode to jazz music. beautiful yet nostalgic this is a record to cherish.
supported by: andy ash, james johnston, cottam, fulbert, fabio monesi, orlando b, marcin krupa, gitchell moore, shane linehan

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

from the signals imprint in the north of england comes two suitably rough and tough cuts of british house/techno from liverpool wunderkind john heckle. this is how techno and house should be made! machine driven, raw, moody with heart and soul. a 10 inch cut designed for heavy rotation.

over the last few years we have all seen an emergence of new methods of spreading and accessing music. some might say this is normal market evolution, we say we keep enjoying music as we always have, on vinyl that is!we love vinyl. we love its sound, we love its shape & we love the feel of it in our hands… our goal is to offer a medium, paying particular attention to the recording process, which will not only conserve the cherished ritual of music listening, but will also deliver a properly put-together abundance of well made, richly defined ear snacks, from genres of all sorts both old and new. vinyl kills mp3 is a vision, a message & a statement. our mission is to preserve all that is music on vinyl. ,label headquarters are in berlin, the leading capital for electronic music worldwide. weare currently ,accepting submissions for artists worldwide. distribution is organized together with syncrophone.! ,parisian youngster john jastszebskis new track la toureille is a deep techno wonder reminiscent of the vitriolic sounds of berlin techno. the trenchant beat and the syncopated percussion convey a heavy yet ,addictive atmosphere. sounding timeless already, this pure, icy tune is definitely dance floor-bound. b-side funky dreamer is a violent and sharp composition by french dj john jastszebski. as a young but experimented artist, jastszebski skillfully maintains tension and elation throughout the raw, hypnotic track. it is as straightforward as spontaneous, and leaves the listener wanting nothing but more!

very welcome reissue of the original sire records release of dinosaur s kiss me again from 1978. written and produced by disco legends arthur russell and nicky siano and weighing in at a heavy 13 minutes long, this is a truly hypnotic disco odyssey which takes you on a curling and tension-filled journey through funky piano riffs, signature scratchy guitar work by talking heads supremo david byrne, tumbling drums, stabbing horns and of course mr russell s swirling atmospheric cello solos. all this is held together by myriam valles beautiful yearning vocal performance until the crazy mind-blowing orgasmic final minutes where david byrne goes wild and the whole thing explodes in pure dancefloor meltdown. choose from the a-side jimmy simpson mix or dinosaur s own more stripped down, chaotic but equally compelling mix on the flip. huge in new york especially at nicky sianos own gallery nightclub, later championed by frankie knuckles in chicago and more recently chosen by twitch as the perfect record to end the very last optimo espacio, this is a true disco classic and absolutely essential in any discerning record collection.

this single will be advertised in the wire 378 august 2015-05-25 in a full color quarter page ad.
originally released in november 2011, this is the very first single ever to appear on the label. it was produced under the heavy influence of the original chicago footworkers like rp boo, whose influence is obvious in the sounddesign. two tracks written and produced by dj kabra and discarga, the man behind duck n’ cover records. both tracks feature a haunting, dark atmosphere. bones is a tribal graveyard stepper, time for a burial. up is a straight battletrack with pondering drum assaults and viscious stabs.